Lord Of The Flies :: essays research papers

All through The Lord of the Flies, the creator shows how extraordinary Simon is from the remainder of the savages on the island. He is considerably more guiltless and unadulterated than the others and has a strict air. Light, regularly an image of heavenliness and virtue, is utilized frequently during Simon’s â€Å"funeral†. In the last four passages of part nine, â€Å"A view to a death†, Golding utilizes light symbolism to recommend the apotheosis of Simon.      During section nine, the sky and water are utilized to pass on a feeling of blamelessness during Simon’s shimmering memorial service. For instance, the air turns out to be clear as the downpour stops, demonstrating a quiet and quietness. When the â€Å"silver tide† comes in and washes away his blood and â€Å"streaks of phosphorescence† repair his battered body, it is just as Simon’s body is being set up for climb into paradise. â€Å"Lamps of stars,† â€Å"bright constellations,† and the evening glow give a lot of brilliance. Furthermore there are splendid flashes of lightning from the as yet waiting tempest. The glowing sky gives light while the unmistakable, silver water takes a shot at reestablishing Simon’s body after he has been viciously murdered.      Simon’s body and the animals around it likewise show his heavenliness. Light pictures of the animals that encompass Simon extol his body, and as light falls on his cadaver he is transfigured into a symbol of appeasement. Likewise, the water covers Simon in a â€Å"coat of pearls† and â€Å"creatures† (deciphered to represent heavenly attendants) start to spread a layer of silver over him. The apotheosis of Simon is finished, as he turns out to be totally silver.